My "Belief" transcends mere visual documentation, presenting an incisive photographic exploration into the multifaceted expressions of faith across North India. This series critically examines the intricate rituals, diverse media, and profound psychological underpinnings that drive humanity's ceaseless quest for an intangible higher truth or power within the vibrant, often paradoxical, landscape of modern India. Far from a simplistic portrayal, "Belief" uncovers the enduring power of ancient spiritual practices coexisting and, at times, colliding with the nation's contemporary identity.

The narrative arc of "Belief" traverses the spiritual epicentres of Varanasi, New Delhi, Vrindavan, and Bhopal, offering a nuanced perspective on the country's devotional spirit. Varanasi emerges not merely as an ancient city but as a crucible of fervent spirituality, where individuals across generations converge upon the sacred Ganges. My eyes scrutinise the extraordinary spectrum of devotion, from the symbolic relinquishment of worldly possessions into the river's current—a desperate plea for divine intervention—to the quiet transfer of wisdom from mentors to disciples in the labyrinthine alleys. The poignant portrayal of elders seeking a celestial afterlife, drawing parallels with the myth of King Harishchandra, delves into the deep-seated anxieties and aspirations tied to eschatological beliefs. The capture of a young girl at Dev Deepavali, praying amidst a unique mud light spectacle, offers a poignant microcosm of individual yearning within a grand collective ritual.

Further expanding this critical inquiry, the series ventures to Sarnath, the site of Lord Buddha's inaugural discourse. Here, I observe the convergence of thousands of global Buddhists, highlighting the enduring resonance of ancient philosophical tenets in contemporary spiritual pilgrimages. The pervasive presence of snake motifs across India is not simply depicted but critically contextualised, revealing the intricate symbiosis of fear, reverence, and supplication that underpins these ancient practices. The detailed portrayal of Nag worship—the ritualistic bathing of idols with milk and water, accompanied by prayers and offerings—underscores the complex transactional nature of blessings and luck within the devotional framework.