The Drummers: Rhythms from the Margins
Durga Puja — an epic cultural celebration deeply embedded in Bengali identity — is sonically incomplete without the resonating beats of the dhak. But behind the festive spectacle lies a lesser-seen narrative of hardship and dignity.
This project documents the dhakis — traditional drummers from Bengal who travel across India each year to perform during Durga Puja. These men, mostly landless agricultural labourers from districts like Malda, Birbhum, Murshidabad, and Midnapore, transform into travelling musicians during the festival. Their music, though iconic and essential, comes with no assurance of livelihood.
Every year, around 750 dhakis migrate in hopes of securing performance contracts. Only some are officially hired by Puja committees, which may offer basic food and accommodation. Others wait on city sidewalks with nothing but their instruments and hope, seeking freelance gigs. Their earnings are meagre — often Rs. 4000 from organizers, plus a few thousand in tips. These men, whose drums define the emotional core of Durga Puja, remain excluded from its economic celebrations.
But the struggle doesn’t end with underpayment. The journey to metropolitan centres like Delhi or Mumbai is fraught with exploitation. Dhakis often face police harassment at transit points under suspicion, despite submitting to metal detector screenings. Many are coerced into paying bribes to pass with their instruments. On the return journey, with a few thousand rupees in hand, they are even more vulnerable to theft and extortion.
This visual story captures the paradox: while their drumming electrifies one of India’s grandest festivals, the drummers themselves remain marginal — socially, economically, and geographically. During the season of divine reverence and cultural pride, they are anonymous, underpaid, and often forgotten.
This project seeks to give them a voice through image and narrative. To document not just their performance, but their displacement. Not just their rhythm, but their reality.

























